Hainan Sculpture

In the unified adjustment stage, the light and shadow effect of the relief is mainly checked to see whether the black, white and gray tones of the overall picture are coordinated, whether there are "flowers" or "chaos". The mutual relations between parts and between parts and the whole in terms of volume, primary and secondary, strength, density, rhythm, etc. are unified and coordinated. And compare the design drawings, make macro adjustments, and make final detailed adjustments on the outline image, and then check whether the arrangement of relief layers is not coordinated with the perspective relationship. Adjust strictly according to the perspective law of near thickness and far thin, near large and far small, near full volume, and far weak volume, and finally make the corresponding texture effect according to the material characteristics, Finish the clay sculpture. At this stage, full consideration should be given to the final material expression language. According to the different material languages, the expression techniques such as hollowing, stuffing, etc. that are close to hard materials should be reasonably used, and the appropriate surface texture effect should be adopted.

So far, the early process of relief creation has basically come to an end. Although these processes are carried out in stages and steps, they are also an interrelated whole process. At the same time, they are also a process of repeated observation, analysis, research and modeling. Therefore, it is not appropriate to distinguish them clearly. They should be flexibly mastered and skillfully used in the specific practice process. This process is not only to exercise the shaping ability, but also to exercise the observation ability and mental analysis ability of hand eye integration, and to coordinate the plane image in the sketch with the three-dimensional image of the standing relief art body in reality through eyes, hands and hearts.