Micro carving is a kind of carving technique that is good at small and fine. Chinese micro sculpture has a long history. Miniature carvings appeared in oracle bone inscriptions as far back as the Shang Dynasty. During the Warring States Period, the seal was as small as millet, but the seal was divided into white and black. Wang Shuyuan's Nuclear Boat Story, which is widely known, is also a classic work of micro sculpture in Chinese history. The art of seal cutting is the basis for the emergence and development of micro carving art. Since the Ming and Qing Dynasties, many literati and scholars have used iron pen to write and paint in the seal, to express their interest and entertain themselves. After Shoushan Stone became the seal material, the micro carving art of Shoushan Stone began to appear. At the beginning of the Qing Dynasty, Yang Xuan and Diaobin both carved small characters in the remote patterns of Shoushan stone carvings. Lin Qingqing, a master of "Ximen Boyi School" carving, often wrote his name and the date of production in the grass and stone crevices of the carved works with extremely fine pens. Later, some people carved ancient poems with extremely fine characters on the four sides of the square pillars of the seal as margin. In the 1960s, with the application of advanced scientific instruments such as magnifiers in the field of micro sculpture, micro sculpture art became a new and unique art. The words carved in the works are smaller and smaller, and the content is more and more. Microcarvings pay special attention to the selection of materials. The texture of the Hainan EPS component stone is required to be absolutely pure, and there should be no sand grid and half silk cracks, because half of the sand dot may be engraved with more than 10 Chinese characters. Secondly, the micro carving knife is also a special thin knife, which should be sharp and sharp. Third, it is necessary to have a particularly proficient knowledge of calligraphy and traditional Chinese painting. When carving, you can carry out "free engraving". Fourth, hold your breath and concentrate on your thoughts on the spot. Fifth, the knife should be handled steadily, accurately and ruthlessly. Only in this way can calligraphy and knife technique be perfectly unified. The art of micro sculpture is "art in micro". The more subtle it is, the more refined its kungfu is, and the higher its value is. Microcarving is also an art that pays great attention to the picture and organization, which is "intended to be refined". The sculptor of micro sculpture should first have a deep knowledge of calligraphy and painting. Although the micro sculpture is too small to be recognized with the naked eye, it is still very exquisite under the magnifying glass, such as large calligraphy works.
The openwork carving technique is an original carving technique in Putian. There are still many "gold inlaid openwork lanterns" and "embossed flower windows" in the Palace Museum in Beijing, which all support the traditional craft charm of Putian wood carving. From the end of the Ming Dynasty to the beginning of the Qing Dynasty to the Republic of China, Putian wood carvings were mostly made of longan wood, which was rich in local production. Carved into various military officers, women or gods, antiques, supplemented by old paint painting, make the work more deep color. Zhu Bangshou, Huang Dangui, Chen Xiange and other famous painters, together with Liu Ronglin, formed a round sculpture character style characterized by Pu style military generals. So far, many figures and architectural decoration wood carvings have been left for future generations in Guandi Temple, Yuanxia Village, Jiangkou Town, Jiufeng Village, Wutang Town and other old folk houses, These masterpieces, which combine round, transparent and relief carvings, are treasures of Putian wood carving art.
The types of stone inscription monuments include monuments, memorial monuments, merit monuments, temple monuments, Dianzi monuments, mausoleum monuments, etc. Except for a few wordless steles, they are generally literal steles. Usually, characters are carved on the body of the stele, and some are accompanied by carved patterns. The pedestal and cover of the stele are mostly carved with decorations, birds, animals, flowers, and mascots. The cover of the stele of the imperial family is also carved with dragons and phoenixes. Marble is the most commonly used stone for making the stele, and sandstone and granite are also commonly used. Some of the steles are huge, and some of them become a group of steles. Shanghai Sculpture Design Stone books are written with stone instead of paper, and carved instead of pen, which is very ingenious. There are many famous works of stone tablet processing and stone calligraphy carving. For example, "Xi'an Forest of Steles" includes more than 3000 historical steles from Han Dynasty to Qing Dynasty. It is the largest collection of stone books in China. Together with the "Forest of Steles in Hanlin" under construction in Kaifeng, it can be said that it is a sea of steles, and it is a collection of calligraphies of regular script, line, grass, seal script, clerical script and Wei style by famous calligraphers of all ages. In addition to large carvings such as stone tablets and cliff carvings, there are other stone carvings, such as elegiac scrolls in imperial tombs and modern fine carved small stone carvings, such as more than 100 Han Dynasty carvings excavated in the tomb of the prince of the Tang Dynasty Sculpture Design customized White jade mourning volume, six stone books of "Thirty six Strategies" carved with slate in modern Chengdu, a total of 26 pages and 1278 words, bound with eyeliner, each page is 2.2.6mm, which can be read.
Sculpture art is a kind of plastic arts, also called sculpture, which is the general name of three creation methods of sculpture, carving and sculpture. It refers to the art of using various plastic materials (such as gypsum, resin, clay, etc.) or hard materials (such as wood, stone, metal, jade, agate, etc.) that can be carved or carved to create a visual and touchable artistic image with a certain space to reflect social life and express artists' aesthetic feelings, emotions, and ideals. It is diverse, so the law of development has different ups and downs. For example, the bronze ware manufacturing and decorative carving in the Yin and Zhou Dynasties in China were unmatched by future generations. The themes of the Han Dynasty's stone reliefs fully reflect the real life at that time. The sculptures in the Tang and Song dynasties certainly exceeded those in the Han Dynasty, but the works of the Tang and Song dynasties never fully reflected the reality as the Han Dynasty stone reliefs did. The handicraft industry and commerce in the Ming Dynasty were improved compared with those in the Tang and Song Dynasties, but few sculptures in the Ming Dynasty fully displayed the characteristics of each work as in the Song Dynasty. Although the sculpture of the Ming Dynasty is not as good as that of the Tang and Song Dynasties, other artistic achievements of the previous dynasties are naturally behind.