Relief is a kind of sculpture. The sculptor carves the image he wants to shape on a flat plate, making it separate from the plane of the original material. Relief is the product of the combination of sculpture and painting. It deals with objects in a compressed way, and displays three-dimensional space by perspective and other factors. It is only for one side or two sides to see. The reliefs are usually attached to another plane, so they are used more in architecture and can be seen on utensils and implements. Due to its compression characteristics, it occupies less space, so it is suitable for decoration in a variety of environments. In recent years, it has played an increasingly important role in urban beautification. Yangjiang Abstract sculpture The relief is as rich and colorful as the round sculpture in content, form and material. The materials of relief include stone, wood, ivory and metal. The relief is a semi vertical sculpture whose image shape protrudes from the stone surface (as opposed to the relief). According to the different depth of stone removal in image modeling, it can be divided into low relief and high relief. The bas reliefs are single level statues with relatively simple contents; The high relief is a multi-level statue with complicated contents. cost performance Abstract sculpture The carving technique and expression style of relief are basically the same as those of round sculpture. Many ancient and modern large-scale memorial buildings, high-end mansions and private houses are equipped with such decorations. Their main works are wall blocks, flower windows, dragon columns (early) and column bases.
The art of carving various patterns and images on stones, usually also refers to sculpture handicrafts carved from stones. Chinese stone carving can be divided into bluestone carving, marble carving, white marble carving, talc carving, black crystal stone carving, colored stone carving, pebble carving, etc. Hui'an, Fujian, is famous for its bluestone carvings for architectural decoration and stone lions, among which the mouth of the stone lion contains stone beads that roll freely, and is famous in Southeast Asia. The marble carving in Yunnan is made from the marble of Diancang Mountain. Its patterns are like colored mountains and rivers, or dangerous peaks and valleys, or waterfalls follow the clouds. The inlaid furniture is unique. White marble carvings in Quyang, Hebei, Fangshan, Beijing and other places were mainly used for palace architectural decoration in the Ming and Qing dynasties, such as Huabiao, stone lions, railings, etc; Modern times are used for decoration of public and memorial buildings, such as the Great Hall of the People, the Monument to the People's Heroes, Chairman Mao's Memorial Hall, etc. Talc carvings in Haicheng, Liaoning Province and Laizhou, Shandong Province use small and cute animals as traditional varieties. The carvings of black crystal stone in Dongkou, Hunan and Lichuan, Hubei are dark and bright. Caishi carving is mainly produced in Qingtian, Zhejiang, Shoushan, Fuzhou and Liuyang, Hunan. Pebble carvings are mainly produced in Lanzhou, Shenyang and other places. Stone carving techniques include intaglio (contour carving), shadow carving, relief, round carving (complete three-dimensional carving without any background), and openwork (also known as openwork). Shadow carving is a unique technique of Fujian Hui'an bluestone carving. It uses steel drills of different sizes to chisel on the bluestone, and uses the size, depth and density of the drill points to express the images of landscapes, birds, animals, people, flowers, etc.
Button carving refers to the carving of the buttons on the upper part of the seal. It belongs to the category of round carving and has a rich three-dimensional sense. However, compared with round carving, it has three significant characteristics. First, the image is small, limited to the size of the seal, which is generally less than 10 cubic centimeters; The second is to show only the upper part of the object, rather than the round sculpture, which needs all-round performance; In addition, the performance content of button carving is mostly animals, especially animals in ancient legends, such as chi, lion, dragon, tiger, exorcism, taotie, etc. Therefore, button carving is also called "animal button". The history of button carving is linked with seals. Only seals can make buttons. According to relevant historical research, the earliest seal started in the Zhou Dynasty, more than 3000 years ago. The original seal is a symbol of power and status, and is a special item for princes, generals and ministers, and Dada dignitaries. The original seal button was also very simple and simple, just drilling a small hole on the top of the seal to wear strong ties for carrying, so the seal button is also called "seal nose". With the continuous development of history, a strict hierarchy has emerged in the materials and buttons of seals according to the different positions and official titles of users. For example, the official seal of the Qin Dynasty, in addition to using gold, silver, copper and other materials to distinguish the level of the official seal, also distinguishes the decoration of the button. In the Han Dynasty, the emperor used tiger buttons with jade seals, the crown prince, the lieutenants, the prime minister, the lieutenant, the sangong, and the left and right generals used gold seal tortoise buttons, and the officials of the two thousand stone Dai Lu used bronze seal elephant buttons Since then, the buttons used by all dynasties, from the monarch down to the officials of various products, were mostly chi, lion, dragon, phoenix, tiger, exorcism, taotie, unicorn, camel, bird, claw, bear, bat and other animals in the zodiac, depending on their positions.
At present, most of the most influential sculptures in China and the West are made of copper. For example, Rodin's "The Thinker", "The Bronze Age", and "The Statue of Liberty", the world's top sculptures are mostly made of copper. The lines are suitable for sculpture because of the texture, plasticity, unlimited specifications, and rich color texture of copper, which are also jade sculptures The effect that wood carving and stone carving can't achieve is that jade carving can only make very small works because of the limitation of materials. Because of the limitation of wood carving technology, there is no precedent for large outdoor sculptures. The inheritor, whose bronze carving has opened a new chapter in the 5000 year history of copper.
The dough figurines are commonly known as dough figurines, gift buns, flower cakes and dough figurines. It uses glutinous rice flour as the main material, mixed into different colors, and shapes various vivid images with hands and simple tools. In the old society, the dough figuring artists "just make a living and walk around in tears", carrying suitcases, walking around villages and towns, and working in the streets, are deeply loved by the masses. However, their works are regarded as a gadget and cannot be put on the stage of elegance. Today, dough sculpture art is valued as a precious intangible cultural heritage, and gadgets have also entered the art palace. The dough kneader takes materials at will according to his needs. After several times of kneading, rubbing, rubbing, and lifting, he uses a small bamboo knife to skillfully place, cut, carve, scratch, shape his body, hands, and head, and put on hair ornaments and clothes. In a moment, the vivid artistic image will be released.
Decoration materials are divided into two parts: one is outdoor materials, the other is indoor materials. Indoor materials are divided into five types: solid materials, plates, sheets, profiles, and wires. The real material is also the raw material, which refers to logs and logs. The commonly used logs are Chinese fir, red pine, elm, ash, camphor, basswood, and the more valuable ones are rosewood, beech, oak, etc. The timbers used in decoration are mainly made of fir, and other timbers are mainly used for supporting furniture and carved accessories. The technique of artistic processing of articles for daily use or living environment. It must be organically combined with the decorated object to become a unified and harmonious whole, so as to enrich the artistic image, expand the artistic expression, strengthen the aesthetic effect, and improve its function, economic value and social benefits.