The openwork carving technique is an original carving technique in Putian. There are still many "gold inlaid openwork lanterns" and "embossed flower windows" in the Palace Museum in Beijing, which all support the traditional craft charm of Putian wood carving. From the end of the Ming Dynasty to the beginning of the Qing Dynasty to the Republic of China, Putian wood carvings were mostly made of longan wood, which was rich in local production. Hainan GRC decorative materials Carved into various military generals, women or gods, antiques, supplemented by recommend GRC decorative materials The painting with old lacquer makes the work more deep in color. Zhu Bangshou, Huang Dangui, Chen Xiange and other famous painters, together with Liu Ronglin, formed a round sculpture character style characterized by Pu style military generals. So far, many figures and architectural decoration wood carvings have been left for future generations in Guandi Temple, Yuanxia Village, Jiangkou Town, Jiufeng Village, Wutang Town and other old folk houses, These masterpieces, which combine round, transparent and relief carvings, are treasures of Putian wood carving art.

Circular sculpture, also known as three-dimensional sculpture, refers to non compressed three-dimensional sculpture that can be viewed from multiple directions and angles. Sculpture is the overall expression of art on the sculpture. The viewer can see all sides of the object from different angles. It requires the sculptor to carve from the front, back, left, right, top, middle and bottom. The techniques and forms of round sculpture are also varied, including realistic and decorative, concrete and abstract, indoor and outdoor, shelf and large city sculpture, colored and non colored, etc; The contents and themes of the sculptures are also rich and colorful, which can be characters, animals or even still life; The materials are more colorful, including stone, wood, metal, clay, gypsum, textiles, paper, plants, rubber, etc. It is mostly used in fountains, gardens and indoors. Because the round sculpture works are very three-dimensional, vivid, lifelike and vivid, the selection of stone materials is strict. First of all, we should design the shape of the sculpture, and pay special attention to the fact that the sculpture must have a proper proportion with the real object from length to width to thickness.

In the process of tourism development, landscape already exists. From the domestic Terracotta Warriors and Horses, the Shinto of the Ming Tombs, Dunhuang Grottoes, etc., a large number of tourists at home and abroad have been attracted. In recent years, Beijing Shijingshan International Sculpture Park, Miyun Legal Park, Changchun Sculpture Park, and OCT Sculpture Park, a number of urban theme parks, are also attracting tourists from all walks of life. Foreign theme sculpture parks such as Vigeland Sculpture Park, Seattle Olympic Sculpture Park, South Korean Sex Sculpture Park, etc. also attract many tourists. Here, the theme sculpture parks and similar tourist areas that have been well used in tourism development are classified to find the commonalities and differences among them, so as to provide reference for the application of sculpture landscape in tourism development.

Button carving refers to the carving of the buttons on the upper part of the seal. It belongs to the category of round carving and has a rich three-dimensional sense. However, compared with round carving, it has three significant characteristics. First, the image is small, limited to the size of the seal, which is generally less than 10 cubic centimeters; The second is to show only the upper part of the object, rather than the round sculpture, which needs all-round performance; In addition, the performance content of button carving is mostly animals, especially animals in ancient legends, such as chi, lion, dragon, tiger, exorcism, taotie, etc. Therefore, button carving is also called "animal button". The history of button carving is linked with seals. Only seals can make buttons. According to relevant historical research, the earliest seal started in the Zhou Dynasty, more than 3000 years ago. The original seal is a symbol of power and status, and is a special item for princes, generals and ministers, and Dada dignitaries. The original seal button was also very simple and simple, just drilling a small hole on the top of the seal to wear strong ties for carrying, so the seal button is also called "seal nose". With the continuous development of history, a strict hierarchy has emerged in the materials and buttons of seals according to the different positions and official titles of users. For example, the official seal of the Qin Dynasty, in addition to using gold, silver, copper and other materials to distinguish the level of the officials, also distinguish the decoration of the buttons. In the Han Dynasty, the emperor used tiger buttons with jade seals, the crown prince, the lieutenants, the prime minister, the lieutenant, the sangong, and the left and right generals used gold seal tortoise buttons, and the officials of the two thousand stone Dai Lu used bronze seal elephant buttons Since then, the buttons used by all dynasties, from the monarch down to the officials of various products, were mostly chi, lion, dragon, phoenix, tiger, exorcism, taotie, unicorn, camel, bird, claw, bear, bat and other animals in the zodiac, depending on their positions.