Copper casting is an important part of Chinese traditional culture and art. Copper casting has a long history and mature technology. The process of casting copper is more complicated than that of forging copper, and the artistic creation has a good recovery. Therefore, it is suitable for becoming the material of fine works and is very popular with artists, especially figure sculpture. But it is easy to oxidize, so pay more attention to maintenance. Each cast copper artwork is made through 11 complex and rigorous processes, which include traces of traditional handicrafts, lines and modern technology of precision casting. Cast copper is put into the sintering furnace and sintered at 1000 ℃ - 1150 ℃ according to different metal materials. The copper liquid is immediately cast into the ceramic shell. After cooling, the outer ceramic shell is broken, and the copper product rough embryo is peeled out.

The art of carving various patterns and images on stones, usually also refers to sculpture handicrafts carved from stones. Chinese stone carving can be divided into bluestone carving, marble carving, white marble carving, talc carving, black crystal stone carving, colored stone carving, pebble carving, etc. The bluestone carvings in Hui'an, Fujian, are famous for architectural decoration and stone lions. The mouth of the stone lion contains stone beads that roll freely, and is famous in Southeast Asia. The marble carving in Yunnan is made from the marble of Diancang Mountain. Its patterns are like colored mountains and rivers, or dangerous peaks and valleys, or waterfalls follow the clouds. The inlaid furniture is unique. The white marble carvings in Quyang, Hebei, Fangshan, Beijing and other places were mainly used for palace architectural decoration in the Ming and Qing dynasties, such as Huabiao, Shishi recommend GRC component Railings, etc; Modern times are used for decoration of public and memorial buildings, such as the Great Hall of the People, the Monument to the People's Heroes, Chairman Mao's Memorial Hall, etc. Talc carvings in Haicheng, Liaoning Province and Laizhou, Shandong Province use small and cute animals as traditional varieties. The carvings of black crystal stone in Dongkou, Hunan and Lichuan, Hubei are dark and bright. Caishi carving is mainly produced in Qingtian, Zhejiang, Shoushan, Fuzhou and Liuyang, Hunan. Pebble carvings are mainly produced in Lanzhou, Shenyang and other places. Fuzhou GRC component Stone carving techniques include intaglio (contour carving), shadow carving, relief, round carving (complete three-dimensional carving without any background), and openwork (also known as openwork). Shadow carving is a unique technique of Fujian Hui'an bluestone carving. It uses steel drills of different sizes to chisel on the bluestone, and uses the size, depth and density of the drill points to express the images of landscapes, birds, animals, people, flowers, etc.

Decoration materials are divided into two parts: one is outdoor materials, the other is indoor materials. Indoor materials are divided into five types: solid materials, plates, sheets, profiles, and wires. The real material is also the raw material, which refers to logs and logs. The commonly used logs are Chinese fir, red pine, elm, ash, camphor, basswood, and the more valuable ones are rosewood, beech, oak, etc. The timbers used in decoration are mainly made of fir, and other timbers are mainly used for supporting furniture and carved accessories. The technique of artistic processing of articles for daily use or living environment. It must be organically combined with the decorated object to become a unified and harmonious whole, so as to enrich the artistic image, expand the artistic expression, strengthen the aesthetic effect, and improve its function, economic value and social benefits.

The types of stone inscription monuments include monuments, memorial monuments, merit monuments, temple monuments, Dianzi monuments, mausoleum monuments, etc. Except for a few wordless steles, they are generally literal steles. Usually, characters are carved on the body of the stele, and some are accompanied by carved patterns. The pedestal and cover of the stele are mostly carved with decorations, birds, animals, flowers, and mascots. The cover of the stele of the imperial family is also carved with dragons and phoenixes. Marble is the most commonly used stone for making the stele, and sandstone and granite are also commonly used. Some of the steles are huge, and some of them become a group of steles. Stone books are written with stone instead of paper, and carved instead of pen, which is very ingenious. There are many famous works of stone tablet processing and stone calligraphy carving. For example, "Xi'an Forest of Steles" includes more than 3000 historical steles from Han Dynasty to Qing Dynasty. It is the largest collection of stone books in China. Together with the "Forest of Steles in Hanlin" under construction in Kaifeng, it can be said that it is a sea of steles, and it is a collection of calligraphies of regular script, line, grass, seal script, clerical script and Wei style by famous calligraphers of all ages. In addition to large-scale carvings such as stele books and cliff carvings, there are also some stone carvings, such as mourning volumes in imperial tombs and modern fine carved small stone books, such as more than 100 mourning volumes of white marble excavated in the tomb of the prince of the Tang Dynasty, and six stone books of "Thirty six Strategies" carved in tile slate in modern Chengdu, a total of 26 pages and 1278 words, bound into a volume with eyeliner, each page is 2.2.6mm, which can be read.

Button carving refers to the carving of the buttons on the upper part of the seal. It belongs to the category of round carving and has a rich three-dimensional sense. However, compared with round carving, it has three significant characteristics. First, the image is small, limited to the size of the seal, which is generally less than 10 cubic centimeters; The second is to show only the upper part of the object, rather than the round sculpture, which needs all-round performance; In addition, the performance content of button carving is mostly animals, especially animals in ancient legends, such as chi, lion, dragon, tiger, exorcism, taotie, etc. Therefore, button carving is also called "animal button". The history of button carving is linked with seals. Only seals can make buttons. According to relevant historical research, the earliest seal started in the Zhou Dynasty, more than 3000 years ago. The original seal is a symbol of power and status, and is a special item for princes, generals and ministers, and Dada dignitaries. The original seal button was also very simple and simple, just drilling a small hole on the top of the seal to wear strong ties for carrying, so the seal button is also called "seal nose". With the continuous development of history, a strict hierarchy has emerged in the materials and buttons of seals according to the different positions and official titles of users. For example, the official seal of the Qin Dynasty, in addition to using gold, silver, copper and other materials to distinguish the level of the official seal, also distinguishes the decoration of the button. In the Han Dynasty, the emperor used tiger buttons with jade seals, the crown prince, the lieutenants, the prime minister, the lieutenant, the sangong, and the left and right generals used gold seal tortoise buttons, and the officials of the two thousand stone Dai Lu used bronze seal elephant buttons Since then, the buttons used by all dynasties, from the monarch down to the officials of various products, were mostly chi, lion, dragon, phoenix, tiger, exorcism, taotie, unicorn, camel, bird, claw, bear, bat and other animals in the zodiac, depending on their positions.