From the perspective of development, sculpture can be divided into traditional sculpture and modern sculpture. Traditional sculpture is a visual, tactile and static three-dimensional art form molded with traditional materials; Modern sculpture uses new materials to make anti traditional four-dimensional, five-dimensional, acousto-optic, soft and dynamic sculptures. According to traditional materials, and according to environment and function, it can be divided into urban sculpture, garden sculpture, indoor sculpture, outdoor sculpture, desk sculpture, shelf sculpture, etc. There are many kinds of sculpture materials, such as clay, stone, wood, metal, gypsum, resin, ivory, etc. Then several categories were developed: wood carvings: wood carvings have a long history. Most of the early themes were centered on religion. In addition to religious icons, they were also used for the decoration of altars and religious places. In countries where wood building flourishes, wood carving develops with architecture. Modern wood carvings have quite diversified styles and features, and artists like to use abstract forms to express them. In addition, wood carving is also an important contributor to the invention of printing. Please see woodcut prints for details; Stone carving: The regions where stone carving is developed have a lot to do with where the stones suitable for carving are produced. The regions where stone carving is developed have a long history of stone carving. In the past, stone carvings were often used as decorations of gardens, signs of doorways, or architectural decorations of mausoleums. Because the stone is thick (not easy to be stolen), and the details of carvings are not easy to be damaged by wind and rain, stone carvings are mostly in outdoor environments. The common stone carving material is marble. There are clay sculptures, ice sculptures, sand sculptures, metal sculptures and pottery.

The openwork carving technique is an original carving technique in Putian. There are still many "gold inlaid openwork lanterns" and "embossed flower windows" in the Palace Museum in Beijing, which all support the traditional craft charm of Putian wood carving. From the end of the Ming Dynasty to the beginning of the Qing Dynasty to the Republic of China, Putian wood carvings were mostly made of longan wood, which was rich in local production. Carved into various military officers, women or gods, antiques, supplemented by old paint painting, make the work more deep color. Zhu Bangshou, Huang Dangui, Chen Xiange and other famous painters, together with Liu Ronglin, formed a round sculpture character style characterized by Pu style military generals. So far, many figures and architectural decoration wood carvings have been left for future generations in Guandi Temple, Yuanxia Village, Jiangkou Town, Jiufeng Village, Wutang Town and other old folk houses, These masterpieces, which combine round, transparent and relief carvings, are treasures of Putian wood carving art.

The art of carving various patterns and images on stones, usually also refers to sculpture handicrafts carved from stones. Chinese stone carving can be divided into bluestone carving, marble carving, white marble carving, talc carving, black crystal carving, colored stone carving, pebble carving, etc. Hui'an, Fujian, is famous for its bluestone carvings for architectural decoration and stone lions, among which the mouth of the stone lion contains stone beads that roll freely, and is famous in Southeast Asia. The marble carving in Yunnan is made from the marble of Diancang Mountain. Its patterns are like colored mountains and rivers, or dangerous peaks and valleys, or waterfalls follow the clouds. The inlaid furniture is unique. The white marble carvings in Quyang, Hebei, Fangshan, Beijing and other places were mainly used for palace architectural decoration in the Ming and Qing dynasties, such as Huabiao, Shishi high quality EPS line Railings, etc; Modern times are used for decoration of public and memorial buildings, such as the Great Hall of the People, the Monument to the People's Heroes, Chairman Mao's Memorial Hall, etc. Talc carvings in Haicheng, Liaoning Province and Laizhou, Shandong Province use small and cute animals as traditional varieties. The carvings of black crystal stone in Dongkou, Hunan and Lichuan, Hubei are dark and bright. Caishi carving is mainly produced in Qingtian, Zhejiang, Shoushan, Fuzhou and Liuyang, Hunan. Pebble carvings are mainly produced in Lanzhou, Shenyang and other places. Chaozhou EPS line Stone carving techniques include intaglio (contour carving), shadow carving, relief, round carving (complete three-dimensional carving without any background), and openwork (also known as openwork). Shadow carving is a unique technique of Fujian Hui'an bluestone carving. It uses steel drills of different sizes to chisel on the bluestone, and uses the size, depth and density of the drill points to express the images of landscapes, birds, animals, people, flowers, etc.

Relief is a kind of sculpture. The sculptor carves the image he wants to shape on a flat plate, making it separate from the plane of the original material. Relief is the product of the combination of sculpture and painting. It deals with objects in a compressed way, and displays three-dimensional space by perspective and other factors. It is only for one side or two sides to see. The reliefs are usually attached to another plane, so they are used more in architecture and can be seen on utensils and implements. Due to its compression characteristics, it occupies less space, so it is suitable for decoration in a variety of environments. In recent years, it has played an increasingly important role in urban beautification. The relief is as rich and colorful as the round sculpture in content, form and material. The materials of relief include stone, wood, ivory and metal. The relief is a semi vertical sculpture whose image shape protrudes from the stone surface (as opposed to the relief). According to the different depth of stone removal in image modeling, it can be divided into low relief and high relief. The bas reliefs are single level statues with relatively simple contents; The high relief is a multi-level statue with complicated contents. The carving technique and expression style of relief are basically the same as those of round sculpture. Many ancient and modern large-scale memorial buildings, high-end mansions and private houses are equipped with such decorations. Their main works are wall blocks, flower windows, dragon columns (early) and column bases.

Relief is a kind of sculpture. The sculptor carves the image he wants to shape on a flat plate, making it separate from the plane of the original material. Relief is the product of the combination of sculpture and painting. It deals with objects in a compressed way, and displays three-dimensional space by perspective and other factors. It is only for one side or two sides to see. The reliefs are usually attached to another plane, so they are used more in architecture and can be seen on utensils and implements. Due to its compression characteristics, it occupies less space, so it is suitable for decoration in a variety of environments. In recent years, it has played an increasingly important role in urban beautification. The relief is as rich and colorful as the round sculpture in content, form and material. The materials of relief include stone, wood, ivory and metal. The relief is a semi vertical sculpture whose image shape protrudes from the stone surface (as opposed to the relief). It can be divided into light relief and high relief according to the depth of stone removal in image modeling. The bas reliefs are single level statues with relatively simple contents; The high relief is a multi-level statue with complicated contents. The carving technique and expression style of relief are basically the same as those of round sculpture. Many ancient and modern large-scale memorial buildings, high-end mansions and private houses are equipped with such decorations. Their main works are wall blocks, flower windows, dragon columns (early) and column bases.

When people talk about jade cultivation, the word "cultivation" not only tells us that jade is a living substance, but also contains a lot of knowledge. The maintenance of jade jewelry can be summarized as follows: the hardness of jade is very high, but it is easy to crack after collision. Sometimes, although the cracks cannot be seen with the naked eye, the molecular structure in the surface of jade has been damaged, with dark cracks, which greatly damages its perfection and economic value. Avoid dust as much as possible. If there is dust on daily jadeware, it should be cleaned with a soft brush; If dirt or oil stains are attached to the surface of the jade, they should be brushed with mild soapy water, and then washed with clean water. Do not use chemical degreasing agent or degreasing fluid. It is better to put it in the jewelry bag or jewelry box to avoid scratches or damage. If it is high-grade emerald jewelry, do not place it on the counter to avoid dust and affect the transparency. Try to avoid contact with perfume, chemicals, soap and human sweat. If jade is exposed to too much sweat and is not wiped clean immediately after wearing, it will be eroded, causing damage to the outer layer and affecting the original brightness. Especially the "glass ground" jadeite and white sheepskin jade, which also avoid sweat and grease. Jade should be protected from the sun, because the expansion of jade in case of heat will affect its quality. Hibiscus jade, crystal, agate, etc. may even burst under high heat. Wipe the accessories with clean and soft white cloth, not with dyed cloth or hard fiber cloth. Jade jewelry inlaid with diamonds, rubies, emeralds and other precious stones should only be wiped with a clean white cloth to remove grease, dust, etc., which helps maintain and maintain the original quality. Keep proper humidity. The quality of jade depends on a certain humidity, especially for aquabilite and crystal jade. The surrounding environment shall not be too dry.