Components are reusable software modules oriented to software architecture. It is a reusable software component that can be used to construct other software. It can be encapsulated object classes, class trees, some functional modules, software frameworks, software architecture (or architecture), documents, analysis pieces, design patterns, etc. In 1995, Ian Graham gave the definition of component as follows: component refers to an object (interface specification, or binary code), which is used for reuse, and the interface is clearly defined. Hainan sculpture component appears as a logic tight program code package with a good interface. For example, Ada's Package, Smalltalk-80 and C++'s class and data type can all belong to the component category. However, the operation set, procedure and function can not become a component even if they can be reused. Developers can develop new application systems by assembling existing components, so as to achieve the purpose of software reuse. Software component technology is the key factor of software reuse, and also the focus of software reuse technology research.

Button carving refers to the carving of the buttons on the upper part of the seal. It belongs to the category of round carving and has a rich three-dimensional sense. However, compared with round carving, it has three significant characteristics. First, the image is small, limited to the size of the seal, which is generally less than 10 cubic centimeters; The second is to show only the upper part of the object, rather than the round sculpture, which needs all-round performance; In addition, the performance content of button carving is mostly animals, especially animals in ancient legends, such as chi, lion, dragon, tiger, exorcism, taotie, etc. Therefore, button carving is also called "animal button". The history of button carving is linked with seals. Only seals can make buttons. According to relevant historical research, the earliest seal started in the Zhou Dynasty, more than 3000 years ago. The original seal is a symbol of power and status, and is a special item for princes, generals and ministers, and Dada dignitaries. The original seal button was also very simple and simple, just drilling a small hole on the top of the seal to wear strong ties for carrying, so the seal button is also called "seal nose". With the continuous development of history, a strict hierarchy has emerged in the materials and buttons of seals according to the different positions and official titles of users. For example, the official seal of the Qin Dynasty, in addition to using gold, silver, copper and other materials to distinguish the level of the official seal, also distinguishes the decoration of the button. In the Han Dynasty, the emperor used tiger buttons with jade seals, the crown prince, the lieutenants, the prime minister, the lieutenant, the sangong and the left and right generals used gold seal tortoise buttons, and the officials of Dai Lu with two thousand stones used bronze seal elephant buttons Since then, the buttons used by all dynasties, from the monarch down to the officials of various products, were mostly chi, lion, dragon, phoenix, tiger, exorcism, taotie, unicorn, camel, bird, claw, bear, bat and other animals in the zodiac, depending on their positions.

The tasks of decoration design are: first, to achieve the use function of the building itself, reasonably improve the material level of the indoor environment, so that people can be satisfied mentally, and improve the quality of the physical and psychological environment of the indoor space. Modern interior decoration design should apply modern scientific and technological rules and aesthetic laws, especially the principle of applicability and economy for residential buildings, and strive for reasonable layout of interior space, good ventilation and lighting, and conducive to furniture layout, so as to create an ideal indoor environment with less people, money, and things to improve material living standards. It should also follow the aesthetic principles to create a personalized and beautiful indoor environment, which fully reflects the spiritual connotation of different functional spaces and use objects. A designer can make interior design comfortable, scientific and artistic only if he has rich knowledge, high artistic accomplishment and the ability to solve practical problems.

In the process of tourism development, landscape already exists. From the domestic Terracotta Warriors and Horses, the Shinto of the Ming Tombs, Dunhuang Grottoes, etc., a large number of tourists at home and abroad have been attracted. In recent years, Beijing Shijingshan International Sculpture Park, Miyun Legal Park, Changchun Sculpture Park, and OCT Sculpture Park, a number of urban theme parks, are also attracting tourists from all walks of life. Foreign theme sculpture parks such as Vigeland Sculpture Park, Seattle Olympic Sculpture Park, South Korean Sex Sculpture Park, etc. also attract many tourists. Here, the theme sculpture parks and similar tourist areas that have been well used in tourism development are classified to find the commonalities and differences among them, so as to provide reference for the application of sculpture landscape in tourism development.

In the history of human civilization, ancient artists have used many experienced forms, including architecture, gardens, sculpture, painting, literature and so on, to make these humanistic environment spaces convey more abundant ideological connotation and show a stronger artistic charm. The overall layout of these works is rigorous and thorough, the scene is grand Xining EPS exterior wall , architecture, gardens, music, painting, cultural relics display, film slides, torch lights, waterscape lights and other artistic means, centering on the common theme, each of them gives play to its unique image language to form a sequence space that unfolds layer by layer, EPS exterior wall customized Enhance rendering from visual and auditory perspectives, and affect the various senses of the viewer in an all-round way. The multi-level whole process, from sensibility to rationality, has fully expanded its breadth and constantly excavated its depth, which has led people deeply into a specific mood and mood, and then promoted them to a comprehensive and profound understanding of the event. At the same time, people have experienced a complete aesthetic process. The functional nature of the large-scale art complex with sculpture as the main body is mainly the commemorative enlightenment effect.