Button carving refers to the carving of the buttons on the upper part of the seal. It belongs to the category of round carving and has a rich three-dimensional sense. However, compared with round carving, it has three significant characteristics. First, the image is small, limited to the size of the seal, which is generally less than 10 cubic centimeters; The second is to show only the upper part of the object, rather than the round sculpture, which needs all-round performance; In addition, the performance content of button carving is mostly animals, especially animals in ancient legends, such as chi, lion, dragon, tiger, exorcism, taotie, etc. Therefore, button carving is also called "animal button". Wuzhi Mountain Stone sculpture The history of button carving is linked with seals. Only seals can make buttons. According to relevant historical research, the earliest seal started in the Zhou Dynasty, more than 3000 years ago. The original seal is a symbol of power and status, and is a special item for princes, generals and ministers, and Dada dignitaries. The original seal button was also very simple and simple, just drilling a small hole on the top of the seal to wear strong ties for carrying, so the seal button is also called "seal nose". With the continuous development of history, a strict hierarchy has emerged in the materials and buttons of seals according to the different positions and official titles of users. For example, the official seal of the Qin Dynasty used gold, silver, copper and other materials to distinguish the level of officials, but also printed buttons Stone sculpture Price Make a difference in decoration. In the Han Dynasty, the emperor used tiger buttons with jade seals, the crown prince, the lieutenants, the prime minister, the lieutenant, the sangong, and the left and right generals used gold seal tortoise buttons, and the officials of the two thousand stone Dai Lu used bronze seal elephant buttons Since then, the buttons used by all dynasties, from the monarch down to the officials of various products, were mostly chi, lion, dragon, phoenix, tiger, exorcism, taotie, unicorn, camel, bird, claw, bear, bat and other animals in the zodiac, depending on their positions.

Marble, granite, Hui'an stone, Qingtian stone, Shoushan stone, Guicui stone and other materials are generally used for stone carving. Granite and marble are suitable for carving large statues; Qingtian stone and Shoushan stone are rich in color, which are more suitable for small stone carvings. There are many ways to make stone carvings. According to the nature of stone materials and the habits of the carvers, stone carvings can be roughly divided into two types: first, traditional methods. Conception, composition, modeling and stone carving are all done by individuals alone. For large-scale carving of lines, the horizontal and vertical lines shall be drawn on the stone, the grid shall be made to take materials, and the simple measurement and positioning method shall be used for carving. The second is to adopt a new process, that is, first make a clay sculpture, turn it into a plaster statue, then take the plaster statue (model) as the basis, rely on the point shaped instrument, and then carve it into a stone statue.

The openwork carving technique is an original carving technique in Putian. There are still many "gold inlaid openwork lanterns" and "embossed flower windows" in the Palace Museum in Beijing, which all support the traditional craft charm of Putian wood carving. From the end of the Ming Dynasty to the beginning of the Qing Dynasty to the Republic of China, Putian wood carvings were mostly made of longan wood, which was rich in local production. Carved into various military officers, women or gods, antiques, supplemented by old paint painting, make the work more deep color. Zhu Bangshou, Huang Dangui, Chen Xiange and other famous painters, together with Liu Ronglin, formed a round sculpture character style characterized by Pu style military generals. So far, many figures and architectural decoration wood carvings have been left for future generations in Guandi Temple, Yuanxia Village, Jiangkou Town, Jiufeng Village, Wutang Town and other old folk houses, These masterpieces, which combine round, transparent and relief carvings, are treasures of Putian wood carving art.

Relief is a kind of sculpture. The sculptor carves the image he wants to shape on a flat plate, making it separate from the plane of the original material. Relief is the product of the combination of sculpture and painting. It deals with objects in a compressed way, and displays three-dimensional space by perspective and other factors. It is only for one side or two sides to see. The reliefs are usually attached to another plane, so they are used more in architecture and can be seen on utensils and implements. Due to its compression characteristics, it occupies less space, so it is suitable for decoration in a variety of environments. In recent years, it has played an increasingly important role in urban beautification. The relief is as rich and colorful as the round sculpture in content, form and material. The materials of relief include stone, wood, ivory and metal. The relief is a semi vertical sculpture whose image shape protrudes from the stone surface (as opposed to the relief). According to the different depth of stone removal in image modeling, it can be divided into low relief and high relief. The bas reliefs are single level statues with relatively simple contents; The high relief is a multi-level statue with complicated contents. The carving technique and expression style of relief are basically the same as those of round sculpture. Many ancient and modern large-scale memorial buildings, high-end mansions and private houses are equipped with such decorations. Their main works are wall blocks, flower windows, dragon columns (early) and column bases.

The round sculpture is completely three-dimensional, and the audience can enjoy it from all directions. For example, from the front, we can see the image of holding one's head high, clenching one's teeth, glaring at the enemy and being invincible. On the side, the audience can only see the right hand and left hand clenching their fists, showing Liu Hulan's inner anger through gestures, as well as her desire to smash the old world and wipe out the enemy. The back is relatively simple, and only the hair and clothes lines intertwined by the wind can be seen. In this way, the audience can see all aspects of Hainan sculpture from all angles, thus forming the overall sense of artistic image. The undulation of body is the main means of expression of sculpture, just as words are to literature, and color is to painting. The sculptor can boldly exaggerate, choose and combine the ups and downs of the body according to the needs of the theme content, without being restricted by the normal. The ups and downs of the body are the broad stage on which sculptors can gallop.

The dough figurines are commonly known as dough figurines, gift buns, flower cakes and dough figurines. It uses glutinous rice flour as the main material, mixed into different colors, and shapes various vivid images with hands and simple tools. In the old society, the dough figuring artists "just make a living and walk around in tears", carrying suitcases, walking around villages and towns, and working in the streets, are deeply loved by the masses. However, their works are regarded as a gadget and cannot be put on the stage of elegance. Today, dough sculpture art is valued as a precious intangible cultural heritage, and gadgets have also entered the art palace. The dough kneader takes materials at will according to his needs. After several times of kneading, rubbing, rubbing, and lifting, he uses a small bamboo knife to skillfully place, cut, carve, scratch, shape his body, hands, and head, and put on hair ornaments and clothes. In a moment, the vivid artistic image will be released.