Components are reusable software modules oriented to software architecture. It is a reusable software component that can be used to construct other software. It can be encapsulated object classes, class trees, some functional modules, software frameworks, software architecture (or architecture), documents, analysis pieces, design patterns, etc. In 1995, Ian Graham gave the definition of component as follows: component refers to an object (interface specification, or binary code), which is used for reuse, and the interface is clearly defined. Hainan sculpture component appears as a logic tight program code package with a good interface. For example, Ada's Package, Smalltalk-80 and C++'s class and data type can all belong to the component category. However, the operation set, procedure and function can not become a component even if they can be reused. Developers can develop new application systems by assembling existing components, so as to achieve the purpose of software reuse. Software component technology is the key factor of software reuse, and also the focus of software reuse technology research.

Shallow relief has a low rise, a large compression of shape, a strong sense of plane, and is closer to the form of painting to a greater extent. It does not rely mainly on physical space to create space effects, but uses more painting techniques or perspective, illusion and other processing methods to create more abstract compression space, which is conducive to strengthening the dependency of relief suitable for the carrier. The ancient Assyrians in Mesopotamia were probably the best at using this method cost performance GRC component processing An artist of artistic expression. In a series of "Assyrian Hunting Pictures", they used the technique of bas relief very well to express the lively artistic image with a sense of rhythm and rhythm, and to show the inner feelings of the characters and animals with complex dynamics. GRC component processing customized The selection of the compression degree of relief space usually takes into account the function, theme, environmental location, light and other factors of the performance object, of which the environment and light factors play a decisive role. Excellent sculptors can always handle these relationships well, so that the works can achieve good visual effects.

Microcarvings pay special attention to the selection of materials. The stone material should be absolutely pure, and there should be no sand grid or half silk cracks, because half a sand dot may damage a fine picture or more than 10 Chinese characters. Secondly, the micro carving knife is also a special thin knife, which should be sharp and sharp. It is necessary to have a particularly proficient knowledge of calligraphy and traditional Chinese painting. When carving, "meaning carving" and "meaning carving" can be carried out. Hold your breath and concentrate on your thoughts on the spot. The knife should be stable, accurate and ruthless. The micro carved knife is just a pen. The skill is not enough. Because the knife is slightly out of control, it doesn't reach its purpose. The calligraphy effect must be paid attention to when matching the micro engraving inscriptions on the micro sculpture works. The creators should avoid the ugly appearance, the skew of characters, the uneven lines, the inaccuracy of paintings, and the imbalance of matching. We should grasp the artistic effect of the line changes produced by cutting tools and customized stones. Only in this way can calligraphy and knife techniques and strokes be perfectly unified.

Root carving is to create artistic works of characters, animals, utensils and other artistic images through conception, artistic processing and process, taking the autogenetic form and distorted form of tree roots (including tree bodies, nodules, bamboo roots, etc.) as the object of artistic creation. Root carving art is a kind of plastic art that finds natural beauty and shows creative processing. The so-called "three parts of labor, seven parts of nature" means that in the creation of root carving, most of the natural forms of root materials should be used to express artistic images, and a few of them should be artificially processed and modified. Therefore, root carving is also called "root art" or "root art". The basic technique of root carving is to use exaggeration, fantasy and abstraction to reflect real life. To be specific, it is to make a comprehensive and careful observation of the selected root material and make a clever idea. By virtue of its shape, texture, knots, concavity and convexity, curvature, holes, and so on, it is a bold idea to combine the virtual with the real. The line seeks the usable value of the material itself with a variety of themes and contents, and is good at finding the extraordinary from the ordinary, and gradually determines the overall image of the creation. It is very important to make clear the creative idea and imagine boldly for the root generation creation.