When people talk about jade cultivation, the word "cultivation" not only tells us that jade is a living substance, but also contains a lot of knowledge. The maintenance of jade jewelry can be summarized as follows: the hardness of jade is very high, but it is easy to crack after collision. Sometimes, although the cracks cannot be seen with the naked eye, the molecular structure in the surface of jade has been damaged, with dark cracks, which greatly damages its perfection and economic value. Avoid dust as much as possible. If there is dust on daily jadeware, it should be cleaned with a soft brush; If dirt or oil stains are attached to the surface of the jade, they should be brushed with mild soapy water, and then washed with clean water. Do not use chemical degreasing agent or degreasing fluid. It is better to put it in the jewelry bag or jewelry box to avoid scratches or damage. If it is high-grade jade jewelry, do not place it on the counter to avoid dust and affect the transparency. Try to avoid contact with perfume, chemicals, soap and human sweat. If jade is exposed to too much sweat and is not wiped clean immediately after wearing, it will be eroded, causing damage to the outer layer and affecting the original brightness. Especially the "glass ground" jadeite and white sheepskin jade, which also avoid sweat and grease. Jade should be protected from the sun, because the expansion of jade in case of heat will affect its quality. Hibiscus jade, crystal, agate, etc. may even burst under high heat. Wipe the accessories with clean and soft white cloth, not with dyed cloth or hard fiber cloth. Jade jewelry inlaid with diamonds, rubies, emeralds and other precious stones should only be wiped with a clean white cloth to remove grease, dust, etc., which helps maintain and maintain the original quality. Keep proper humidity. The quality of jade depends on a certain humidity, especially for aquabilite and crystal jade. The surrounding environment shall not be too dry.

Components are reusable software modules oriented to software architecture. Hainan EPS exterior wall It is a reusable software component that can be used to construct other software. It can be encapsulated object classes, class trees, some functional modules, software frameworks, software architecture (or architecture), documents, analysis pieces, design patterns, etc. In 1995, Ian Graham defined components as follows: EPS exterior wall Price Component refers to an object (interface specification, or binary code), which is used for reuse, and the interface is clearly defined. Hainan sculpture component appears as a logic tight program code package, with a good interface. For example, Ada's Package, Smalltalk-80 and C++'s class and data type can all belong to the component category. However, the operation set, procedure and function can not become a component even if they can be reused. Developers can develop new application systems by assembling existing components, so as to achieve the purpose of software reuse. Software component technology is the key factor of software reuse, and also the focus of software reuse technology research.

Root carving is to create artistic works of characters, animals, utensils and other artistic images through conception, artistic processing and process, taking the autogenetic form and distorted form of tree roots (including tree bodies, nodules, bamboo roots, etc.) as the object of artistic creation. Root carving art is a kind of plastic art that finds natural beauty and shows creative processing. The so-called "three parts of labor, seven parts of nature" means that in the creation of root carving, most of the natural forms of root materials should be used to express artistic images, and a few of them should be artificially processed and modified. Therefore, root carving is also called "root art" or "root art". The basic technique of root carving is to use exaggeration, fantasy and abstraction to reflect real life. To be specific, it is to make a comprehensive and careful observation of the selected root material and make a clever idea. By virtue of its shape, texture, knots, concavity and convexity, curvature, holes, and so on, it is a bold idea to combine the virtual with the real. The line seeks the usable value of the material itself with a variety of themes and contents, and is good at finding the extraordinary from the ordinary, and gradually determines the overall image of the creation. It is very important to make clear the creative idea and imagine boldly for the root generation creation.

The art of carving various patterns and images on stones, usually also refers to sculpture handicrafts carved from stones. Chinese stone carving can be divided into bluestone carving, marble carving, white marble carving, talc carving, black crystal stone carving, colored stone carving, pebble carving, etc. Hui'an, Fujian, is famous for its bluestone carvings for architectural decoration and stone lions, among which the mouth of the stone lion contains stone beads that roll freely, and is famous in Southeast Asia. The marble carving in Yunnan is made from the marble of Diancang Mountain. Its patterns are like colored mountains and rivers, or dangerous peaks and valleys, or waterfalls follow the clouds. The inlaid furniture is unique. White marble carvings in Quyang, Hebei, Fangshan, Beijing and other places were mainly used for palace architectural decoration in the Ming and Qing dynasties, such as Huabiao, stone lions, railings, etc; Modern times are used for decoration of public and memorial buildings, such as the Great Hall of the People, the Monument to the People's Heroes, Chairman Mao's Memorial Hall, etc. Talc carvings in Haicheng, Liaoning Province and Laizhou, Shandong Province use small and cute animals as traditional varieties. The carvings of black crystal stone in Dongkou, Hunan and Lichuan, Hubei are dark and bright. Caishi carving is mainly produced in Qingtian, Zhejiang, Shoushan, Fuzhou and Liuyang, Hunan. Pebble carvings are mainly produced in Lanzhou, Shenyang and other places. Stone carving techniques include intaglio (contour carving), shadow carving, relief, round carving (complete three-dimensional carving without any background), and openwork (also known as openwork). Shadow carving is a unique technique of Fujian Hui'an bluestone carving. It uses steel drills of different sizes to chisel on the bluestone, and uses the size, depth and density of the drill points to express the images of landscapes, birds, animals, people, flowers, etc.