GRC components can be widely used in the internal partitions of offices, business and residential buildings, corridors and kitchens. The production process, installation and operation are simple and easy to master; The market prospect is broad and suitable for investors and entrepreneurs to explore and develop. However, the outstanding problems of ordinary magnesium partition board are: poor water resistance, easy moisture absorption and halogen return on the surface, and high water content. According to long-term research, development and production experience, Hainan EPS has fundamentally improved the physical and mechanical properties and water resistance of modified magnesium lightweight composite insulation board through reasonable production process and advanced and unique modification technology. This product has low cost, high strength Long service life, excellent heat and sound insulation effect, light weight per unit volume, etc., and no need to soak in water for curing after modification. It is mainly used for building wall insulation (such as reinforced concrete wall, ceramsite hollow block infilled wall, concrete hollow block wall, clay porous brick wall, etc.), building roof insulation system, steel plate roof insulation, ground insulation, warehouse insulation, pavement foundation, and can be widely used in many fields, such as refrigerator cars, square floors, airports, etc.

Root carving is to create artistic works of characters, animals, utensils and other artistic images through conception, artistic processing and process, taking the autogenetic form and distorted form of tree roots (including tree bodies, nodules, bamboo roots, etc.) as the object of artistic creation. Root carving art is a kind of plastic art that finds natural beauty and shows creative processing. The so-called "three parts of labor, seven parts of nature" means that in the creation of root carving, most of the natural forms of root materials should be used to express artistic images, and a few of them should be artificially processed and modified. Therefore, root carving is also called "root art" or "root art". The basic technique of root carving is to use exaggeration, fantasy and abstraction to reflect real life. To be specific, it is to make a comprehensive and careful observation of the selected root material and make a clever idea. By virtue of its shape, texture, knots, concavity and convexity, curvature, holes, and so on, it is a bold idea to combine the virtual with the real. The line seeks the usable value of the material itself with a variety of themes and contents, and is good at finding the extraordinary from the ordinary, and gradually determines the overall image of the creation. It is very important to make clear the creative idea and imagine boldly for the root generation creation.

Micro carving is a kind of carving technique that is good at small and fine. Chinese micro sculpture has a long history. Miniature carvings appeared in oracle bone inscriptions as far back as the Shang Dynasty. During the Warring States Period, the seal was as small as millet, but the seal was divided into white and black. Wang Shuyuan's Nuclear Boat Story, which is widely known, is also a classic work of micro sculpture in Chinese history. The art of seal cutting is the basis for the emergence and development of micro carving art. Since the Ming and Qing Dynasties, many literati and scholars have used iron pen to write and paint in the seal, to express their interest and entertain themselves. After Shoushan Stone became the seal material, the micro carving art of Shoushan Stone began to appear. At the beginning of the Qing Dynasty, Yang Xuan and Diaobin both carved small characters in the remote patterns of Shoushan stone carvings. Lin Qingqing, a master of "Ximen Boyi School" carving, often wrote his name and the date of production in the grass and stone crevices of the carved works with extremely fine pens. Later, some people carved ancient poems with extremely fine characters on the four sides of the square pillars of the seal as margin. In the 1960s, with the application of advanced scientific instruments such as magnifiers in the field of micro sculpture, micro sculpture art became a new and unique art. The words carved in the works are smaller and smaller, and the content is more and more. Microcarvings pay special attention to the selection of materials. The texture of the Hainan EPS component stone is required to be absolutely pure, and there should be no sand grid and half silk cracks, because half of the sand dot may be engraved with more than 10 Chinese characters. Secondly, the micro carving knife is also a special thin knife, which should be sharp and sharp. Third, it is necessary to have a particularly proficient knowledge of calligraphy and traditional Chinese painting. When carving, you can carry out "free engraving". Fourth, hold your breath and concentrate on your thoughts on the spot. Fifth, the knife should be handled steadily, accurately and ruthlessly. Only in this way can calligraphy and knife technique be perfectly unified. The art of micro sculpture is "art in micro". The more subtle it is, the more refined its kungfu is, and the higher its value is. Microcarving is also an art that pays great attention to the picture and organization, which is "intended to be refined". The sculptor of micro sculpture should first have a deep knowledge of calligraphy and painting. Although the micro sculpture is too small to be recognized with the naked eye, it is still very exquisite under the magnifying glass, such as large calligraphy works.

Relief is a kind of sculpture. The sculptor carves the image he wants to shape on a flat plate, making it separate from the plane of the original material. Relief is the product of the combination of sculpture and painting. It deals with objects in a compressed way, and displays three-dimensional space by perspective and other factors. It is only for one side or two sides to see. The reliefs are usually attached to another plane, so they are used more in architecture and can be seen on utensils and implements. Due to its compression characteristics, it occupies less space, so it is suitable for decoration in a variety of environments. In recent years, it has played an increasingly important role in urban beautification. Fuzhou GRC decorative materials The relief is as rich and colorful as the round sculpture in content, form and material. The materials of relief include stone, wood, ivory and metal. The relief is a semi vertical sculpture whose image shape protrudes from the stone surface (as opposed to the relief). GRC decorative materials manufactor It can be divided into light relief and high relief according to the depth of stone removal in image modeling. The bas reliefs are single level statues with relatively simple contents; The high relief is a multi-level statue with complicated contents. The carving technique and expression style of relief are basically the same as those of round sculpture. Many ancient and modern large-scale memorial buildings, high-end mansions and private houses are equipped with such decorations. Their main works are wall blocks, flower windows, dragon columns (early) and column bases.

In the history of human civilization, ancient artists have used many experienced forms, including architecture, gardens, sculpture, painting, literature, etc., to make these humanistic environment spaces convey more abundant ideological connotation and show more strong artistic charm. The overall layout of these works is rigorous and thorough, and the scenes are grand. Various artistic means, such as architecture, gardens, music, painting, cultural relics display, film slides, torch lights, waterscape lights, are mobilized. Focusing on the common theme, each of these works gives play to its unique image language, forms a sequence space that unfolds layer by layer, and enhances rendering from visual and auditory perspectives, It influences the various senses of the viewer in an all-round way. The multi-level whole process, from sensibility to rationality, has fully expanded its breadth and constantly excavated its depth, which has led people deeply into a specific mood and mood, and then promoted them to a comprehensive and profound understanding of the event. At the same time, people have experienced a complete aesthetic process. The functional nature of the large-scale art complex with sculpture as the main body is mainly the commemorative enlightenment effect.