Root carving is to create artistic works of characters, animals, utensils and other artistic images through conception, artistic processing and process, taking the autogenetic form and distorted form of tree roots (including tree bodies, nodules, bamboo roots, etc.) as the object of artistic creation. Root carving art is a kind of plastic art that finds natural beauty and shows creative processing. The so-called "three parts of labor, seven parts of nature" means that in the creation of root carving, most of the natural forms of root materials should be used to express artistic images, and a few of them should be artificially processed and modified. Therefore, root carving is also called "root art" or "root art". The basic technique of root carving is to use exaggeration, fantasy and abstraction to reflect real life. To be specific, it is to make a comprehensive and careful observation of the selected root material and make a clever idea. By virtue of its shape, texture, knots, concavity and convexity, curvature, holes, and so on, it is a bold idea to combine the virtual with the real. The line seeks the usable value of the material itself with a variety of themes and contents, and is good at finding the extraordinary from the ordinary, and gradually determines the overall image of the creation. It is very important to make clear the creative idea and imagine boldly for the root generation creation.

From the perspective of development, sculpture can be divided into traditional sculpture and modern sculpture. Traditional sculpture is a visual, tactile and static three-dimensional art form molded with traditional materials; Modern sculpture uses new materials to make anti traditional four-dimensional, five-dimensional, acousto-optic, soft and dynamic sculptures. According to traditional materials, and according to environment and function, it can be divided into urban sculpture, garden sculpture, indoor sculpture, outdoor sculpture, desk sculpture, shelf sculpture, etc. There are many kinds of sculpture materials, such as clay, stone, wood, metal, gypsum, resin, ivory, etc. Then several categories were developed: wood carvings: wood carvings have a long history. Most of the early themes were centered on religion. In addition to religious icons, they were also used for the decoration of altars and religious places. In countries where wood building flourishes, wood carving develops with architecture. Modern wood carvings have quite diversified styles and features, and artists like to use abstract forms to express them. In addition, wood carving is also an important contributor to the invention of printing. Please see woodcut prints for details; Stone carving: The regions where stone carving is developed have a lot to do with where the stones suitable for carving are produced. The regions where stone carving is developed have a long history of stone carving. In the past, stone carvings were often used as decorations of gardens, signs of doorways, or architectural decorations of mausoleums. Because the stone is thick (not easy to be stolen), and the details of carvings are not easy to be damaged by wind and rain, stone carvings are mostly in outdoor environments. The common stone carving material is marble. There are clay sculptures, ice sculptures, sand sculptures, metal sculptures and pottery.

The art of carving various patterns and images on stones, usually also refers to sculpture handicrafts carved from stones. Chinese stone carving can be divided into bluestone carving, marble carving, white marble carving, talc carving, black crystal stone carving, colored stone carving, pebble carving, etc. Hui'an, Fujian, is famous for its bluestone carvings for architectural decoration and stone lions, among which the mouth of the stone lion contains stone beads that roll freely, and is famous in Southeast Asia. The marble carving in Yunnan is made from the marble of Diancang Mountain. Its patterns are like colored mountains and rivers, or dangerous peaks and valleys, or waterfalls follow the clouds. The inlaid furniture is unique. The white marble carvings in Quyang, Hebei, Fangshan, Beijing and other places were mainly used for palace architectural decoration in the Ming and Qing dynasties, such as Huabiao, Shishi high quality GRC component Railings, etc; Modern times are used for decoration of public and memorial buildings, such as the Great Hall of the People, the Monument to the People's Heroes, Chairman Mao's Memorial Hall, etc. Talc carvings in Haicheng, Liaoning Province and Laizhou, Shandong Province use small and cute animals as traditional varieties. The carvings of black crystal stone in Dongkou, Hunan and Lichuan, Hubei are dark and bright. Caishi carving is mainly produced in Qingtian, Zhejiang, Shoushan, Fuzhou and Liuyang, Hunan. Pebble carvings are mainly produced in Lanzhou, Shenyang and other places. Hong Kong GRC component Stone carving techniques include intaglio (contour carving), shadow carving, relief, round carving (complete three-dimensional carving without any background), and openwork (also known as openwork). Shadow carving is a unique technique of Fujian Hui'an bluestone carving. It uses steel drills of different sizes to chisel on the bluestone, and uses the size, depth and density of the drill points to express the images of landscapes, birds, animals, people, flowers, etc.

Sculpture art is a kind of plastic arts, also called sculpture, which is the general name of three creation methods of sculpture, carving and sculpture. It refers to the art of using various plastic materials (such as gypsum, resin, clay, etc.) or hard materials (such as wood, stone, metal, jade, agate, etc.) that can be carved or carved to create a visual and touchable artistic image with a certain space to reflect social life and express artists' aesthetic feelings, emotions, and ideals. It is diverse, so the law of development has different ups and downs. For example, the bronze ware manufacturing and decorative carving in the Yin and Zhou Dynasties in China were unmatched by future generations. The themes of the Han Dynasty's stone reliefs fully reflect the real life at that time. The sculptures in the Tang and Song dynasties certainly exceeded those in the Han Dynasty, but the works of the Tang and Song dynasties never fully reflected the reality as the Han Dynasty stone reliefs did. The handicraft industry and commerce in the Ming Dynasty were improved compared with those in the Tang and Song Dynasties, but few sculptures in the Ming Dynasty fully displayed the characteristics of each work as in the Song Dynasty. Although the sculpture of the Ming Dynasty is not as good as that of the Tang and Song Dynasties, other artistic achievements of the previous dynasties are naturally behind.